Throughout his life, Vilhelm Lauritzen adhered to the principle that architecture is applied art – with equal emphasis on both ‘art’ and ‘applied’. “No life without aesthetics” was another one of Vilhelm Lauritzen’s firmly held beliefs.
Vilhelm Lauritzen mastered both daylight and artificial lighting. He consistently involved daylight in his architectural projects by including large south- and west-facing windows that neatly mixed warm sunlight with the cooler sky light flowing in through windows facing north and east. It was an approach that shifted focus from the limited wall surfaces in the room itself. People, furnishings and fittings are highlighted and shaded in the sculptural light.